20 Trailblazers Lead The Way In Fela
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작성자 Prince Premo 작성일24-06-03 04:05 조회218회 댓글0건관련링크
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Fela Kuti
Fela is a man of contradictions. This is what makes him so fascinating. People who love him will accept his flaws.
His songs are often longer than 20 minutes and are sung in a slurred Pidgin English that is almost incomprehensible. His music is inspired by Christian hymns, jazz, classical music, Yoruba singing, and horn-andguitar heavy highlife.
He was a musician
Fela Kuti embodied that music can be a tool to transform the world. His music was used to argue for social, political and economic change. His influence can be evident even today. His musical style, Afrobeat, is a blend of African and Western influences. Its roots are in West-African music and funk. However it has evolved into a completely new genre.
His political activism was fierce and frightened. He utilized his music as a protest against corruption in the government and human right abuses. Songs such as "Zombie", "Coffin for the State Head" and others were blatant critiques of Nigeria's regime. He also made his home, Kalakuta Republic, as an enclave for political activism and a gathering place for like-minded people.
The play includes a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent activist and feminist pioneer. She is played by actress Shantel Cribbs who has successfully communicated her importance in the life of Fela. The play also explores her political activism. Despite her declining health, she refused to get tested for AIDS and instead chose traditional treatments.
He was a singer
Fela Ransome Kuti was a multifaceted person who utilized music to bring about political change. He is known as the creator of afrobeat. It was an invigorating hybrid of funk, dirty and traditional African rhythms. He was a vocal critic of Nigeria's religious and political leaders.
Fela's mother was a suffragist who was anti-colonial, so it is not surprising that he has a love for social commentary and politics. His parents had hoped that he would eventually become a doctor however, he had other plans.
While he initially sounded in a more apolitical highlife fashion, a trip in America would change his outlook forever. Exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He embraced a philosophy of Pan-Africanism, which would guide and inform his later work.
He was a writer
Fela encountered Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create a political movement called the Movement of the People, and to compose songs that expressed his thoughts on black and political consciousness. His ideas were expressed through the way of yabis, which is a form of public speaking which he dubbed 'freedom of expression'. He also began to enforce an uncompromising code of ethics for his band, such as refusing to receive medication from Western-trained doctors.
Fela returned to Nigeria and began to build his own club in Ikeja. The police and military officials were all the time. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds, especially "bana" and "yamuna" (heroin). However, Fela maintained an uncompromising integrity. His music is a testimony to the determination with which he fought authority and demanded that the desires of the masses be reflected in official objectives. It is an amazing legacy that will endure for generations to be.
He was a poet
Fela's music utilized sarcasm as well as humor to draw attention to economic and political issues in Nigeria. He also ridiculed his audience, the government, and himself. During these shows, he would refer to himself as "the big dick in the little pond." These jokes were not viewed lightly by the authorities and he was repeatedly detained and beatings in the hands of authorities. He was eventually given the title Anikulapo which means "he is carrying his death in his bag."
In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with mindless zombies who followed orders without any question. The military was offended by the song and raided Kalakuta Republic. They burned the place down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window.
In the years following the independence of Nigeria, Fela created Afrobeat, a genre of music that combined jazz and native African rhythm. His songs criticised European cultural imperialism and defended African traditional religions and cultures. He also criticized fellow Africans for AccidentInjuryLawyers disrespecting their country's traditions. He also stressed the importance of human rights and freedom.
He was a rapper
A saxophonist, trumpeter, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was inspired by rock, jazz, and roll and also traditional African music as well as chants and music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work dramatically.
Upon his return to Nigeria, Fela began using his music as a political tool. He criticized the government of his home country, and argued against Western sensibilities that impacted African culture. He also wrote about societal injustices and human rights violations and was often detained for his criticism of the military.
Fela also advocated for the use of marijuana, known as "igbo" in Africa. He held "yabis" (public discussions) at Afrika Shrine where he would ridicule government officials and spread his views on freedom of expression and beauty of women's bodies. Fela also had a group of women in his youth, who performed in his shows and served as vocal backups to him.
He was a dancer
Fela was a master at musical fusion. He incorporated elements of jazz, beat music, accidentinjurylawyers and highlife to create his own unique style. He influenced generations of African musicians and was a vocal critic of colonial rule.
Despite being snatched and tortured by the Nigerian military junta and witnessing his mother be killed, Fela refused to leave the country. He died from complications due to AIDS in 1997.
Fela was a prominent political activist who criticized the oppressive Nigerian Government and supported the principles Pan Africanism. His albums, including 1973's Gentleman, focused on the issue of oppression by both government bodies and colonial parties. He also pushed for black power and decried Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track from the album released in 1978. It describes crowded public buses full of people who are poor, "shuffering and smiling". Fela was a fierce anti-religious hypocrisy. His dancers were a great complement to his music. They were vivacious, sensual, and elegant. Their contributions to the performance were as significant as Fela's words.
He was a political militant
Fela Kuti was a militant who used music to challenge the unjust authority. He steered his knowledge of American jazz and funk to African patterns and rhythms, resulting in music that is ready for battle. Most of his songs begin with slow-burning instrumentals, then layering short-lined melodies and riffs until they explode in a flash of vigor.
In contrast to many artists who were afraid to expose their political beliefs, Fela was fearless and uncompromising. He stood up for what he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister, and the head of the teachers' union.
He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, destroying the property and injured Fela badly. He refused to give up and continued to speak against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to continue his musical and political legacy.
He was a father
Music is often seen by many as a political action. The lyrics of musicians are used to call for change. Some of the most powerful musical performances are not accompanied by words. Fela Kuti was one such artist, and his music is still ringing out today. He was the founder of Afrobeat music, which blends traditional African rhythms and harmonies with jazz and hip-hop, being influenced by artists like James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria which served its the entire population.
Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The Egypt 80's music combines the sounds of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released at the end March. A large number of fans attended the funeral and paid their tributes at Tafawa Balewa Square. The crowd was so big that police were forced to shut off the entrance to the venue.
Fela is a man of contradictions. This is what makes him so fascinating. People who love him will accept his flaws.
His songs are often longer than 20 minutes and are sung in a slurred Pidgin English that is almost incomprehensible. His music is inspired by Christian hymns, jazz, classical music, Yoruba singing, and horn-andguitar heavy highlife.
He was a musician
Fela Kuti embodied that music can be a tool to transform the world. His music was used to argue for social, political and economic change. His influence can be evident even today. His musical style, Afrobeat, is a blend of African and Western influences. Its roots are in West-African music and funk. However it has evolved into a completely new genre.
His political activism was fierce and frightened. He utilized his music as a protest against corruption in the government and human right abuses. Songs such as "Zombie", "Coffin for the State Head" and others were blatant critiques of Nigeria's regime. He also made his home, Kalakuta Republic, as an enclave for political activism and a gathering place for like-minded people.The play includes a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a prominent activist and feminist pioneer. She is played by actress Shantel Cribbs who has successfully communicated her importance in the life of Fela. The play also explores her political activism. Despite her declining health, she refused to get tested for AIDS and instead chose traditional treatments.
He was a singer
Fela Ransome Kuti was a multifaceted person who utilized music to bring about political change. He is known as the creator of afrobeat. It was an invigorating hybrid of funk, dirty and traditional African rhythms. He was a vocal critic of Nigeria's religious and political leaders.
Fela's mother was a suffragist who was anti-colonial, so it is not surprising that he has a love for social commentary and politics. His parents had hoped that he would eventually become a doctor however, he had other plans.
While he initially sounded in a more apolitical highlife fashion, a trip in America would change his outlook forever. Exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He embraced a philosophy of Pan-Africanism, which would guide and inform his later work.
He was a writer
Fela encountered Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to create a political movement called the Movement of the People, and to compose songs that expressed his thoughts on black and political consciousness. His ideas were expressed through the way of yabis, which is a form of public speaking which he dubbed 'freedom of expression'. He also began to enforce an uncompromising code of ethics for his band, such as refusing to receive medication from Western-trained doctors.
Fela returned to Nigeria and began to build his own club in Ikeja. The police and military officials were all the time. His Mosholashi-Idi Oro hangers repopulated the area around the club with drugs of all kinds, especially "bana" and "yamuna" (heroin). However, Fela maintained an uncompromising integrity. His music is a testimony to the determination with which he fought authority and demanded that the desires of the masses be reflected in official objectives. It is an amazing legacy that will endure for generations to be.
He was a poet
Fela's music utilized sarcasm as well as humor to draw attention to economic and political issues in Nigeria. He also ridiculed his audience, the government, and himself. During these shows, he would refer to himself as "the big dick in the little pond." These jokes were not viewed lightly by the authorities and he was repeatedly detained and beatings in the hands of authorities. He was eventually given the title Anikulapo which means "he is carrying his death in his bag."
In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with mindless zombies who followed orders without any question. The military was offended by the song and raided Kalakuta Republic. They burned the place down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window.
In the years following the independence of Nigeria, Fela created Afrobeat, a genre of music that combined jazz and native African rhythm. His songs criticised European cultural imperialism and defended African traditional religions and cultures. He also criticized fellow Africans for AccidentInjuryLawyers disrespecting their country's traditions. He also stressed the importance of human rights and freedom.
He was a rapper
A saxophonist, trumpeter, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was inspired by rock, jazz, and roll and also traditional African music as well as chants and music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work dramatically.
Upon his return to Nigeria, Fela began using his music as a political tool. He criticized the government of his home country, and argued against Western sensibilities that impacted African culture. He also wrote about societal injustices and human rights violations and was often detained for his criticism of the military.
Fela also advocated for the use of marijuana, known as "igbo" in Africa. He held "yabis" (public discussions) at Afrika Shrine where he would ridicule government officials and spread his views on freedom of expression and beauty of women's bodies. Fela also had a group of women in his youth, who performed in his shows and served as vocal backups to him.
He was a dancer
Fela was a master at musical fusion. He incorporated elements of jazz, beat music, accidentinjurylawyers and highlife to create his own unique style. He influenced generations of African musicians and was a vocal critic of colonial rule.
Despite being snatched and tortured by the Nigerian military junta and witnessing his mother be killed, Fela refused to leave the country. He died from complications due to AIDS in 1997.
Fela was a prominent political activist who criticized the oppressive Nigerian Government and supported the principles Pan Africanism. His albums, including 1973's Gentleman, focused on the issue of oppression by both government bodies and colonial parties. He also pushed for black power and decried Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track from the album released in 1978. It describes crowded public buses full of people who are poor, "shuffering and smiling". Fela was a fierce anti-religious hypocrisy. His dancers were a great complement to his music. They were vivacious, sensual, and elegant. Their contributions to the performance were as significant as Fela's words.
He was a political militant
Fela Kuti was a militant who used music to challenge the unjust authority. He steered his knowledge of American jazz and funk to African patterns and rhythms, resulting in music that is ready for battle. Most of his songs begin with slow-burning instrumentals, then layering short-lined melodies and riffs until they explode in a flash of vigor.
In contrast to many artists who were afraid to expose their political beliefs, Fela was fearless and uncompromising. He stood up for what he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was a protestant minister, and the head of the teachers' union.
He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, destroying the property and injured Fela badly. He refused to give up and continued to speak against the government. He passed away in 1997 due to complications caused by AIDS. He was succeeded by his son, Femi, who continues to continue his musical and political legacy.
He was a father
Music is often seen by many as a political action. The lyrics of musicians are used to call for change. Some of the most powerful musical performances are not accompanied by words. Fela Kuti was one such artist, and his music is still ringing out today. He was the founder of Afrobeat music, which blends traditional African rhythms and harmonies with jazz and hip-hop, being influenced by artists like James Brown.
Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria which served its the entire population.
Fela's son Seun is continuing his father's work, with a band called Egypt 80 that's touring the world this year. The Egypt 80's music combines the sounds of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released at the end March. A large number of fans attended the funeral and paid their tributes at Tafawa Balewa Square. The crowd was so big that police were forced to shut off the entrance to the venue.
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